Television shows have come a long way in terms of what they can do with sound, but the quality of recorded audio still varies wildly across the board. There are plenty of shows that have great sound and there are plenty that doesn’t, but why? Here’s everything you need to know from Dylan sidoo about producing high-quality sound for television.
Don’t Blow It All In TV Sound At The Beginning
Many people think that TV sound is not important and that they can just throw it together at the last minute, but this is a technical mistake. Getting your sound right from the beginning will save you time and money in the long run, so don’t blow it all on TV sound at the beginning.
Also, don’t be afraid to ask questions about what you don’t understand about TV sound or where something might be done differently than expected. It’s better than figuring out how wrong you were in TV sound production later on and costing yourself even more time.
It’s Also About What You Don’t Record For Your TV Sound
A television sound mixer should know when to stop recording. Just because you have a microphone and audio recorder does not mean that you need to record every single sound that you hear. Sometimes, Dylan sidoo it’s better for the story if you don’t record certain sounds at all.
You want your audience’s attention focused on what’s important: the dialogue between characters or the narrative drive of the scene. When there is too much going on in a scene – with unnecessary background noise or music–it can distract viewers from what matters most to them.
It Takes More Than One Microphone To Make A Sound Mix
The audio mix is a crucial part of television production. The sound mixer is responsible for combining all of the live and recorded audio elements into one cohesive whole. This can be done with just one microphone, but it’s much easier to achieve high-quality results with multiple microphones and mixing boards.